Curator: Nick Aikens (curator Van Abbemuseum, Eindhoven)

On 11/6, 18/6 and 1/7 at 19:30

A screening program about subjective ways of writing history. Through the exploration of personal memories and alternative sources, filmmakers offer different ways of understanding the past. All of the screenings will be followed by a conversation with the artists.

Cultural practice has time and again set itself the task of forming, negotiating and re-assembling history in order to better understand the present. Today this task seems more prescient than ever when particular histories might help shed new light on a contemporary moment that feels uncertain and in flux. Beyond the use of the archive or documentary formats, however, what methodologies allow for a more emotive, fluid and tangible sense of history - and subsequently the present - to emerge? Speaking to History looks at a group of filmmakers working today who explore the conceptual and narrative potential of oral histories, the tangled relationship between spoken word and image and the use of cinematography to both make sense of and complicate our understanding of the past. Through the medium of film they thus examine the construction of narratives, whether they are personal, collective or historical.

The use of story telling and the subsequent play between word and image treats the past as an emotive force, understood through personal narratives or different subjectivities, contingent as they are on lived experience. Similarly, told from the present, these stories and images are framed by a sense of how they might be relevant for today. In this sense they echo what Walter Benjamin’s approach to engaging with history: “To articulate what is past does not mean to recognize ‘how it really was.’ It means to take control of a memory, as it flashes in a moment of danger.” The films look at a range of histories that appear to have implications for our understanding of the present – from an analysis of collective struggles of resistance, an examination of colonial histories, the passing of different ideological systems to more personal, subjective recollections. Told through the voices of those implicated in these histories, however, the protagonists become co-authors, both in the films themselves and the narratives they construct. As such, they reveal a porous relationship between individual subjectivity and collective history; memory and narrative.

Thursday 11/06, 19:30:

- Manon de Boer, Resonating Surfaces, 2005

‘Resonating Surfaces’ is a triple portrait: of a city, a woman and an approach to life. For the story of Suely Rolnik, a Brazilian psychoanalyst currently living in São Paulo, involves the Brazilian dictatorship of the sixties as well as the Parisian intellectual climate surrounding Deleuze and Guattari in the seventies. The film weaves together different themes: the other and the relation to otherness, the relationship between body and power, the voice and, ultimately, the micropolitics of desire and of resistance.

- Wendelien van Oldenborgh, Beauty and the Right to the Ugly, 2014

‘Beauty and the Right to the Ugly’ is a cinematic experiment set in Het Karregat in Eindhoven, a multifunctional community center completed in 1974, which sought to propitiate communal forms of habitation. Wendelien van Oldenborgh examines the devenir –and partial failure– of this utopian architecture, while conceiving and implementing a filming methodology that translates architectural concepts such as “open”, “user-led” and “participative” into cinematic devices.

Following the screenings Manon de Boer and Wendelien van Oldenborgh will be in conversation with Nick Aikens.

Other screenings:

Thursday 18/6, 19:30: Bouchra Khalili – Clara Ianni in collaboration with Debora Maria da Silva – Sven Augustijnen

Wednesday 1/7, 19:30: Petra Bauer – Phil Collins

Language English